It was one of those things we cut a lot of times; one of those cuts that you can play forever and ever in the studio. Twenty minutes go by and you're still locked into those two chords . . . Sometimes you become conscious of the fact that, 'Oh, it's "Brown Sugar" again,' so you begin to explore other rhythmic possibilities. It's basically trial and error. As I said, that one was pretty locked into a reggae rhythm for quite a few weeks. We were cutting it for Emotional Rescue, but it was nowhere near coming through, and we put it aside and almost forgot about it.